Experience the Magic of Venice Carnival 2026
Step into a world of elegance, mystery, and celebration at the Venice Carnival. This historic festival reaches its spectacular peak on Martedì Grasso, Fat Tuesday.
This is your chance to immerse yourself in one of the world’s most famous and breathtaking festivals. Do not miss the opportunity to be part of Venice’s most enchanting tradition.
Step into a world of enchantment and intrigue as you embark on an exclusive behind-the-scenes exploration of the legendary Venice Carnival.
Immerse yourself in the captivating atmosphere of one of the world’s most renowned events, where every corner holds a story waiting to be captured by your lens. Venice Carnival is a dazzling spectacle of color, creativity, and culture, providing high-end photographers with an abundance of opportunities to capture unique travel and portrait shots of the charismatic locals adorned in their carnival attire.
From the intricately crafted masks to the vibrant costumes, from the lively parades to the timeless landmarks, Venice Carnival offers a visual feast for photographers seeking to capture the essence of this extraordinary celebration. Experience the rich history and timeless charm of Venice Carnival, a centuries-old tradition dating back to the Renaissance era. Originating in the 11th century, Venice Carnival was a lavish celebration where masked revelers roamed the streets, indulging in music, dance, and festivities.
Marco Di Lauro is a World Press Photo Award-winner working for, among others, Newsweek, Time Magazine, New York Times Magazine and Der Spiegel. He has worked under an exclusive contract for Getty Images Reportage since 2002, covering the Middle Eastern conflict in the Gaza Strip, and spent almost all of 2003 and 2004 in Iraq, documenting the American invasion and the plight of the Iraqi people.
Along with his wartime coverage, Di Lauro also covers events such as the Palio of Siena Horse Race and the Battle of the Oranges that breaks out every year in the city of Ivrea in Italy, Easter processions in Sicily, the Easter procession in Seville, and the religious life in Italy and the Vatican City.
In his stories, whether large or small, in Italy or abroad, he always attempts to capture the sacred side of life and its deeper meaning.
I finished an amazing workshop, the first in my life. I am happy that I didn’t ask for more details about the workshop and the technical knowledge I needed; otherwise, I would never have gotten out of my comfort zone. I always thought that the best picture is the result of the right place, time, and experiences. I never thought about the story I am telling with a picture.
And I never saw the picture as a reflection of my or someone’s interaction with someone else.
Thank you so much,
Romana Jordan
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